Through this project, Lost Air explores the geopolitical meaning of party space in underground scenes in Korea. They are interested in the way random party members interpret space by creating parties and recording them in various ways. In “Rave Geometry”, “Rave” refers to a party that generally deals with electronic music. The name implies the geopolitical meaning of the space in which the party is held and the record using a Light Detection and Ranging (LiDAR) sensor. Lost Air intends to express “rave” that fills the space with the movement and music of the audience through “party topography”.
Crypton: Koko Killing Island In a virtual ecosystem called &Koko Killing Island&, Crypton depicts a landscape of labor affected by such hyper-objects as global warming, and opens up an agora for discourses on technological and ecological accessibility. Crypton also explores how the multi-layers of hyper-objects in the Island can be deconstructed; and how the ownerships of deconstructed hyper-objects can transfer to and phase into individual audiences.
로스트에어는 2019년 학내의 버려진 지하공간 '대공분실'에서 시작되었습니다. 팀의 4명의 여성 기획자 (이우경, 이다영, 박주영, 박민주)는 전자 음악 파티를 기획 하며 공간을 향한 뜻을 함께합니다. 로스트에어는 파티가 공간과 사람을 잇는 매개체라고 생각합니다. 언더그라운드 에서 활동하는 DJ, VJ, 프로듀서들과 협업하며, 방치된 공간을 예술 활동을 위한 공간으로 탈바꿈해왔습니다. 지금, 그리고 앞으로는 공간적 유/무형의 경계를 넘나드는 활동을 모의하고 있습니다.
Lost Air began their activities in 2019 at 'DGBS', an abandoned underground space at the Students' Union building in K-Arts, Seoul. The team's four female planners(Lee Woogyeong, Lee Dayoung, Park Juyeong, Park Minju) plan an electronic music party and share their will for space. Lost Air thinks that parties are a medium between space and people. In collaboration with DJs, VJs, and producers who are active in the underground scene, the neglected space has been transformed into a space for artistic activities. Now, and in the future, activities that cross spatial and tangible/ intangible boundaries are being planned.
크립톤은 황수경, 염인화, 정민주로 구성된 큐레이토리얼 콜렉티브로, 2인 또는 3인 유닛으로 2018년부터 예술, 기술, 접근성의 교차점에서 협업해왔습니다. 다양한 감각을 교차 번역하는 방법론을 통해, 미디어 아트 현장 속 사회 문화적 및 생태 접근성 향상에 기여하고자 합니다. 그들의 최근 작업은 서울문화재단 Unfold X 기획자학교 심화과정의 지원을 받아 아트스페이스 보안에서 《MMSR (마믅소리)》(2022, 웹사이트 URL: https://mmsr.cc/) 로 물질화된 바 있습니다.
Crypton(they/them) is a curatorial collective of Hwang Sukyung, Yeom Inhwa, and Jeong Minju, who have collaborated as two- or three-people units since 2018 at the intersection of arts, technology, and accessibility. Crypton researches on their own methodology of cross- translating various senses, with an aim to enhance the socio-cultural and ecological accessibility at media arts scenes. Their most recent work has been materialized as 《MMSR(Mameunsori)》(2022, Website URL: https://mmsr.cc/) at Boan 1942, with support from Seoul Cultural Foundation&s Unfold X Program.
